theparisreview:

“There’s this abandoned house. It’s closed. There’s a cat on the windowsill. I think: Must be a clay cat. I come over, and it’s a real cat. He ate all the flowers in the house. Geraniums. How’d he get in? Or did they leave him there?
“There’s a note on the door: Dear kind person, please don’t look for valuables here. We never had any. Use whatever you want, but don’t trash the place. We’ll be back. I saw signs on other houses in different colors—Dear house, forgive us! People said goodbye to their homes like they were people. Or they’d written: We’re leaving in the morning, or, We’re leaving at night, and they’d put the date and even the time. There were notes written on school notebook paper: Don’t beat the cat. Otherwise the rats will eat everything. And then in a child’s handwriting: Don’t kill our Zhulka. She’s a good cat.”
—Svetlana Alexievich, “Voices from Chernobyl”
Photo Credit Gerd Ludwig

theparisreview:

“There’s this abandoned house. It’s closed. There’s a cat on the windowsill. I think: Must be a clay cat. I come over, and it’s a real cat. He ate all the flowers in the house. Geraniums. How’d he get in? Or did they leave him there?

“There’s a note on the door: Dear kind person, please don’t look for valuables here. We never had any. Use whatever you want, but don’t trash the place. We’ll be back. I saw signs on other houses in different colors—Dear house, forgive us! People said goodbye to their homes like they were people. Or they’d written: We’re leaving in the morning, or, We’re leaving at night, and they’d put the date and even the time. There were notes written on school notebook paper: Don’t beat the cat. Otherwise the rats will eat everything. And then in a child’s handwriting: Don’t kill our Zhulka. She’s a good cat.

Svetlana Alexievich, “Voices from Chernobyl”

Photo Credit Gerd Ludwig

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